By Elizabeth Swanstrom
In Animal, Vegetable, Digital, Elizabeth Swanstrom makes a convinced and lively argument for using electronic artwork in aid of ameliorating human engagement with the surroundings and indicates a four-part framework for reading and discussing such applications.
Through shut readings of a panoply of texts, artistic endeavors, and cultural artifacts, Swanstrom demonstrates that the department pop culture has for many years saw among nature and know-how is synthetic. not just is electronic expertise now not inevitably a brick within the street to a dystopian way forward for environmental catastrophe, yet electronic paintings varieties could be a revivifying bridge that returns humans to a extra speedy dating to nature in addition to their very own embodied selves.
To examine and comprehend the intersection of electronic artwork and nature, Animal, Vegetable, Digital explores 4 aesthetic concepts: coding, collapsing, corresponding, and retaining. “Coding” denotes the best way artists use operational computing device code to blur differences among the reader and textual content, and, for this reason, the area. Inviting a fluid belief of the boundary among human and expertise, “collapsing” voids simplistic assumptions concerning the human body’s innate perimeter. the method of translation among typical and human-readable symptoms that allows conversation is defined as “corresponding.” “Conserving” is the appliance of electronic paintings by way of artists to democratize huge- and small-scale maintenance efforts.
A attention-grabbing synthesis of literary feedback, communications and journalism, technological know-how and expertise, and rhetoric that attracts on such disparate phenomena as simulated environments, games, and pop culture, Animal, Vegetable, Digital posits that partnerships among electronic aesthetics and environmental feedback are attainable that reconnect humankind to nature and reaffirm its kinship with different dwelling and nonliving things.
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Animal, Vegetable, Digital: Experiments in New Media Aesthetics and Environmental Poetics by Elizabeth Swanstrom